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…When he gave a speech to an international relations group, in which he denounced arms-control compromises and advocated complete disarmament, his audience seemed to treat him as celebrity entertainment. “The propertied classes here (in America) seize upon anything that might provide ammunition in the struggle against boredom,” he noted in his diary.

Sounds like what Peter Schjeldahl, in his article about the Venice Bienale (The New Yorker, June 25, 2007) so aptly describes as, “our money-fevered, intellectually disheveled global art world”--where the propertied classes are not only arming themselves against boredom, but making pots of money in an unregulated market characterized by a lot of mutual hand-washing. The editorial about Damien Hirst's shark at the Met in today's Times says it all. I guess one shark deserves another--except we're the losers.