Letting the fresh air in
These are drawings made through the use of a "string-based instrument that gives visual manifestation to sound waves and harmonics" developed by Olafur Eliasson and members of his studio. Visitors are invited to make their own drawings at the Tanya Bonakdar Gallery (521 W. 21st, NYC 10011), between 4 & 5 p.m. Tuesday-Saturday through June 7th. More about it here.
I wonder what Prince's version of "Creep" would look like?
Books:
Edward Burtynsky:Essential Elements, Thames & Hudson, October, 2016 (essay).
Unspoken Spaces: Studio Olafur Eliasson, Thames & Hudson, April 2015 (essay).
Just Painted, catalogue published by the Reykjavik Art Museum, 2015 (essay, The Persistence of Painting,translated into Icelandic).
Mad Men Unbuttoned: A Romp Through 1960s America by Natasha Vargas-Cooper, HarperDes 2010, includes an excerpt from my blog post, Thanksgiving with Brigette Bardot and Ann-Margret.
Along a Long Line by Michael Glier. Interview by Carol Diehl, essay by Lisa Corrin. Hard Press Editions, Lenox MA in association with Hudson Hills Press, September 2009.
Andrew Stevovich: Essential Elements essays by Carol Diehl, Anita Shreve, Valerie Ann Leeds, John Sacret Young, Hard Press Editions, December 2007.
A Place for the Arts: The MacDowell Colony, 1907-2007, edited by Carter Wiseman with essays by Joan Acocella, Carol Diehl, Vartan Gregorian, Verlyn Klinkenborg, Robert McNeil, Robin Rausch, Ruth Reichl, Jean Valentine, Jacqueline Woodson, Kevin Young, University Press of New England, January, 2007.
The Columnist (Anne Truitt), Art in America, March, 2010.
Eye of the Heart (Marisol)
Art in America, March, 2008.
The World of Mrs. N (Louise Nevelson), Art in America, January, 2008.
Reviews:
Suzan Frecon at David Zwirner, ARTnews, Summer 2015.
Inka Essenhigh at Jacob Lewis, ARTnews, February, 2015.
Wang Xieda at James Cohen and Pete Schulte at Luise Ross, Art in America, April 2013.
Valerie Jaudon at Von Lintel, Art in America, March, 2013.
Gerhard Richter at Marian Goodman, Art in America, December 2012.
Oskar Fischinger at the Whitney Museum, Art in America, November, 2012, p. 166.
Alan Wiener at Feature, Art in America, October, 2012, p. 179.
Kehinde Wiley at the Jewish Museum, Art in America, September, 2012, p. 140.
Barbara Takenaga at D. C. Moore, Art in America, February, 2012.
Angels Ribe at the Barcelona Museum of Contemporary Art, Art in America, December, 2011.
Don Voisine at McKenzie, Art in America, October, 2011.
Chuck Webster at ZieherSmith, Art in America, June, 2011.
Keltie Ferris at Horton, Art in America, March, 2011.
Lynn Davis at Knoedler & Company, Art in America, December 2010.
Ree Morton at The Drawing Center, Art in America, December, 2009.
John Kelly at Alexander Gray, Art in America, November, 2009.
Finnbogi Peterson at Sean Kelly, ARTnews, October, 2009.
Sven Kroner at Yvon Lambert, Art in America, January, 2009.Ross Bleckner at Mary Boone
Gary Komarin at Spanierman Modern
Art in America, May, 2008.
James Casebere at Sean Kelly
Art in America, December 2007
Myron Stout at Washburn
Jo Baer at Alexander Gray
Art in America, November 2007
Robert Irwin at Pace Wildenstein
Art in America, September 2007
Zhan Wang at the Williams College Museum of Art
Art in America, May 2007
1 comment:
Looks like a ton of work went into that machine. Very cool. Judging by the pics, it seems the people playing it were really getting into it and having a blast.
"I wonder what Prince's version of 'Creep' would look like?"
I wonder what Yves Klein's "Monotone Symphony- Silence" would look like. Come to think of it, Klein made some pretty cool machines of his own with Jean Tinguely. Anyway, I had little knowledge of Eliasson before your blog but I've been reading up on him. There were two million visitors to The Tate when his The Weather Project was there, which strikes me as a extraordinary number.
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